Cristle Collins Judd (ed.), Tonal Structures in Early Music
Identifieur interne : 000267 ( Main/Exploration ); précédent : 000266; suivant : 000268Cristle Collins Judd (ed.), Tonal Structures in Early Music
Auteurs : Elizabeth Eva Leach [Royaume-Uni]Source :
- Music Analysis [ 0262-5245 ] ; 2001-07.
English descriptors
- Entity :
- org : Blackwell Publishers Ltd., Signature Systems, Tonal Organization and Compositional Process, ß Blackwell Publishers Ltd..
- pers : Alice V. Clark, Although, Charles Butler, Christ Church, Elizabeth Keitel, Franz Wiering, Fuller, George Kirby, Guillaume de Machaut, Harold Powers, Jessie Ann, Judd, Margaret Bent, Michael R. Dodd, Michael R. Dodds, Owens, Peter Lefferts, Sarah Fuller, Thomas Campion, Thomas Morley, Thomas Ravenscroft, Timothy H. Steele, To, William Bathe, William Byrd, Yolanda Plumley.
- place : Oxford, UK.
- Teeft :
- Blackwell, Blackwell publisher, Cadence, Candace bailey, Cantus, Cantus final, Cristle collins judd, Critical forum, Early music, Early music analysis, Ficta, Ficta decision, Fuller, Gospel motet, Gospel tone, Great britain, Guidonian hand, Harold power, Internal view, Intervallic relationship, Judd, Lefferts, Medieval notation, Memor esto verbi, Modern edition, Modern notation, More correct interpretation, Motet, Music analysis, Musica ficta, Notation, Phrase articulation, Pitch content, Pitch emphasis, Psalm tone, Same tonal type, Sarah fuller, Sonority, Tonal, Tonal coherence, Tonal content, Tonal expectation, Tonal organization, Tonal structure, Tonal type, Tonality.
Url:
DOI: 10.1111/1468-2249.00138
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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